Oldal kiválasztása

cat049 (Carpi 6136)


Ugo da Carpi
(fl c. 1502−32)
After Raphael
(1483−1520)

The Miraculous Draught of Fishes

c. 1527−30
Chiaroscuro woodcut
231 × 345 mm
Museum of Fine Arts, Budapest 6136
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In 1515 Raphael was commissioned by Pope Leo X to design a series of tapestries to be hung on the walls of the Sistine Chapel, representing the acts of Saints Peter and Paul. For the tapestries to be executed far from Rome, at the Brussels workshop of the weaver Pieter van Aelst, Raphael and his assistants prepared full-size cartoons. The colour woodcut, imitating the effect of brush drawings, closely follows a study by Raphael in the Royal Collection, Windsor.

cat047 (Parmigianino 6286)


Parmigianino
(1503−1540)
After Raphael
(1483–1520)

Sts Peter and John Healing a Lame Man

c. 1524−30
Etching and chiaroscuro woodcut, 268 × 401 mm
Museum of Fine Arts, Budapest 6286
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Despite the technical novelties, this is Parmigianino’s most conservative composition, inspired by one of Raphael’s drawings for the tapestries intended for the Sistine Chapel. By the unusual combination of etching and woodcut, Parmigianino evoked the effects of washed pen drawings. The etching was executed by Parmigianino himself, but the cutting of the woodblocks required a skilled craftsman.

cat008 (Master ND 7333)


Master ND
(fl c. 1520−50)
After Giulio Romano
(?1499−1546)

The Massacre of the Innocents

1544
Chiaroscuro woodcut, 292 × 510 mm
Museum of Fine Arts, Budapest 7333
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Colour, so-called chiaroscuro woodcuts printed from several woodblocks were extremely popular in the period. Among the few surviving works of the Bolognese woodcutter, known only after his monogram and active in the French royal court at Fontainebleau, The Massacre of the Innocents is the most ambitious. It is related to the tapestry series Life of Christ. While Raphael is named as inventor in the inscription, the composition was more possibly designed by Giulio Romano.